Terminology Project

Up

 

Korean Terminology Project

 for Hapkido

with special thanks to the people at the Hapkido In-fo Forum

Korea and its Flag

The Korean name for Korea is "Hangeuk" and its people are called "Hangeuksaram". The ancient name for Korea is "Choson", which means literally "the land of morning calm" and comes from the "Choson" dynasty of Korea's history (1392-1905). The name "Korea" comes from the "Koryu" dynasty of Korea's history (935-1392) during which westerners had their first contact with Korea.

The national anthem of Korea is "Aeguk Ka" ("Love of Country"). It was written during the Japanese occupation of Korea (circa 1905-1945) and was later set to music by Ahn Eak Tai.

The Korean flag is called "Taeguk-ki" and was adopted in August of 1882, not long after the "Hermit Kingdom" opened its front and back doors to foreign aggressive powers. The central theme of the flag is that although there is constant movement within the sphere of infinity, there is also balance and harmony. The flag consists of three parts: a white field (or background), a red and blue circle in the center of the flag (containing a "yin-yang" like symbol), and four black tri-grams surrounding the circle in each of the four corners of the flag.

The circle in the center is called "Taeguk" and means the origin of all things in the universe. The red and blue paisleys within the circle represent eternal duality (heaven-earth, fire-water, good-evil, male- female, dark-light, life-death). The blue portion of the circle is called "um" and represents the negative aspects of this duality; the red portion of the circle is called "yang" and represents the positive aspects. "Um-yang" is the Korean equivalent of "yin-yang".

The four black trigrams come from the Chinese book of "I Ch'ing". The trigrams also carry the idea of opposites and of balance. Each trigram (or "gye") consists of three parallel lines, some of which are broken (split), and some of which are unbroken (solid). Each gye has a specific name and represents one or more concepts: In the upper left-hand corner is "K'un" which consists of all solid lines and represents heaven, east, and spring; In the lower right-hand corner is "K'on" which consists of all broken lines and represents earth, west, and summer; In the upper right-hand corner is "Kam" which consists of one solid line surrounded by two broken lines and represents water, north, and winter; In the lower left-hand corner is "I" which consists of one broken line surrounded by two solid lines and represents fire, south, and autumn.

Definition of Hapkido

The term “hapkido” is an amalgam of three syllables. “hap” suggests a coordination among parts, while “ki” is a term universally recognized as referring to power or energy. The syllable “-do” is used almost universal in Asian culture to identify a “way” or a choice of lifestyle. Putting these three syllables together produces the term “hapkido” or “Way of Coordinated Energy”.  Thought by some to be a contraction of the longer “hapkiyukwonsul” or “coordinated pliant hand techniques” there is also a line of thought that “hapkido” was as much a political or social effort to keep the adherents of the “Kido” arts separate and distinct from the “Hapkido arts.  In most cases though, this latter is a distinction without a real difference. While originally held by many to identify a single specific tradition, with time, the term “hapkido” has come to be a more general term to identify a family of arts which have been accepted from other cultures but structured in such a way as to reflect the culture and purpose of the Korean people.

 

Five Tenets  (“O-Gae”) of Hapkido

Ch’ung

:

Loyalty to One’s Country

Hyo

:

Fealty to One’s Parents

Shim

:

Fidelity to One’s Friends

Yong

:

Courage in the face of Injustice

Im 

:

Benevolence to all.    

Three Principles of Hapkido

Won

The Water Principle: To accept what is given and to use what is offered. Take the situation on its own terms and seek to use what is at hand.  

Hwa

Economy of Energy Principle: Never work harder than your opponent; K.I.S.S.; Work smarter, not harder. 

Hyo 

 Point-&-Circle Principle: All things are a cycle; harnessing cycles and recycling increases the chances of a good outcome. 

 

Concepts and Attributes

Kan kyok     

Interval: optimal space between combatants at which to either execute offensive techniques or maintain defenses. 

( 간격 [間隔] )  also: kan hap (간합 )

Himm 

:

Power: physical energy, force, might. ( )

Jip  joong 

:

Concentration; concentrate one's attention [mind] on (one's work).

( 주의를  집중  하다 )

Sok  ryok

:

Velocity: Rate at which a specific body part, a weapon or an item moves.  ( 속력 [速力] )

Sok do

:

Speed: rate at which an individual moves their body as a unit to cover distance. (속도 [速度] )

Jan shim

:

Sustained Focus: concentration maintained after the execution of a technique where the connection to the attacker or the situation is preserved. On a physical level this suggests a readiness for further action while on an emotional and intellectual level it suggests that balance and clarity are maintained. 

{lit: “lingering mind      ( 残心 ) }

Peom wee

:

Sphere, or Range, of Influence: “dynamic sphere” 

{ 세력 범위 (範圍) }

Jo hwa

:

Balance: ability to execute an identified technique or action while maintaining ones’ physical relationship with the environment relates also to being able to maintain ones’ emotional and psychological relationship as well. { }

T’aedo  

:

Bearing: demeanor or manner

{ 태 도 ( 態度 ) }

Shi Son

:

Focus of eyes; eye contact

{ 시선 ( 視線 ) } 

Cho jeom

:

Focus: point at which the maximum physical and mental energy is applied for optimal result. { }

Ch’im ch’ak  

:

Composure: self-control, self-possession; presence of mind; calmness; coolness, unflappable { }

Haeng dong

:

Execution: action of the body and its techniques

( )

Dan ryon 

:

Conditioning: Ability of the body to sustain performance in resistance to shock. {   단련 ( 鍛鍊 )

( Lit: ~하다improve; cultivate; school; harden; steel ((one's courage)); exercise; subject to discipline.)

Bunseok

:

“analysis”; to consider the practical functions of a form 

Eung yong

:

“application”; the result of analyzing the functions of a form

Baekja

:

“timing”; Coordination of ones’ own motion with that of ones’ opponents in order to produce a desired effect. (柏子/백자 )

Includes: 

Pre-emptive strike:   공격;  to take the initiative in the attack. seon eui seon선의 /

Retaliatory strike:  hu eui seon후의 /

Acceleration

:

 thrust or snap occurring in the final moments of a technique in order to maximize effect.

Alignment

:

effort to maintain the organization of ones’ body around the centerline .

Angle of Attack

:

vector at which a weapon (strike, kick or item) approaches the centerline of the opponents’ body. 

Center of Mass 

:

point along the centerline above which increasing degrees of instability result.

Centrifugal Force 

:

spiraling force tending to cast the opponent away.

Centripetal Force 

:

spiraling force tending to draw the opponent in.

Conditioning

:

ability of the body to sustain performance in resistance to shock.

Deceleration

:

the nature of ones’ mass to absorb energy from an action or technique.

Entering the Centerline

:

to move towards the centerline of one's opponent.

Exiting the Centerline

:

to move away from the centerline of one's opponent. 

Intensity 

:

degree of increased intent to execute an action characterized by increased recruitment of muscle tissue, heart rate, and respiration.

Mass 

:

weight in relationship to stature.

Negotiation

:

relationship between training partners intended to arrive at optimum performance between them. 

Non-Alignment 

:

action intended to disrupt the opponents ability to maintain organization around his centerline.

Parry

:

to redirect the opponents’ angle of attack into another vector.

Relaxation 

:

degree of decreased intent to execute an action characterized by decreased recruitment of muscle tissue, heart rate, and respiration.

Rhythm 

:

variance in execution accounting for changes in the environment or the opponent as the action proceeds.

Shock

:

deterioration of performance in response to a specific and discrete event.

Staleness

:

deterioration of performance over time as a result of inadequate recovery time allowed among training sessions.

Tempo

:

regularity in execution independent of changes in the environment or the opponent as the action proceeds (aka: “pro-forma” execution)

Un-timing 

:

to impair, offset, or disrupt the skills of ones’ opponent to produce a well-timed effort.

Velocity 

:

rate at which a body part, a weapon or an item moves through space

Qualities

Jong Euye  

:

Justice: righteousness; a just cause

{   ( ) } 

In

:

Benevolence: humanity; philanthropy; charity.

{ (仁愛)}

Yae jeol 

:

Courtesy:  etiquette; decorum; propriety; politeness; civility.

{ ;  예의(禮儀) }

Ji

:

Wisdom: sense. 

{   (  )}

Yong-gi

:

Courage: courage; valor; bravery; boldness;

{ 용기 (勇氣 ) }

Shin-yo

:

Trust: confidence; reliance; faith; credence;

{ 신용 ( 信用 )} 

Seon

:

Goodness: a good deed. 

{ ( ) } 

Deok 

:

Virtue: moral excellence; the power of commanding love and respect.

{   ( ) } 

Dong  jeong

:

Compassion: sympathy; pity. 

{ 동정 ( 同情 ) }  also: Shi  ( )

Jon  jung 

:

Respect: esteem, regard; deference or Chon Kyung

{ 존중 ( 尊重 ) }

In Neh

:

Perseverance:  Endurance; Patience 

{ 인내 ( 忍耐 ) } 

Kyum Son

:

Humility: modesty 

{ 겸손 ( 謙遜 ) } 

Jeong  jik

:

Honesty: veracity;

{ 정직 ( 正直 ) } 

Pum  haeng

:

Morals: moral conduct; moral character; morals.
{
품행 ( 品行 ) } 

Cheon  ryum 

:

Integrity

{ 청렴 ( 淸廉 ) } 

Maeum  

:

Spirit: mind; soul

{ (mauem-ssi: “heart”) }

Also: mind; spirit;  { 정신 ( 精神 ) }   

Chung Shim

:

Faithfulness: devotion; sincerity; wholeheartedness.

{ 충심 ( 忠心 ) }  

Also: One’s true heart; one's inmost feelings[heart]. 

{ 충심 ( 衷心 ) } 

Chung Shin

:

Fidelity; loyalty; dedication.(lit: “center mind” )

{  충신  ( 忠信 ) }  

Titles

Do joo nim

:

 Keeper of the Art

Kwanjangnim

:

 Director or “mentor”

Saengsanim

:

Respectful form of "saengsa” which means “teacher” but is likewise a general term of address not unlike “mister”.

Sun bae nim

:

Senior student  

Hu bae nim

:

Junior student

Hak saeng

:

Student

Suryun saeng

:

Trainee

Cho Bo Ja

:

Beginner

Keup 

:

Rank or grade { ( ) } 

Dan  

:

Degree  {   ( ) }   

Commands

Jonglee

Line up (also "ji hap" and "jung yul")

Anj uh mook sang

:

Sit for Meditation   앉어묵상

Elosoh

Stand

Geuk gi hyang ha yoh

Face the flag

Jwa woo hyang woo

Face each other

Sah bum nim keh

Face instructor/master

Sun bae nim keh

Face senior student

Simsa kwan nim keh

Face examiner/tester

Cha ryuht

Attention

Kyung rye

:

Bow   경례

Kook gi e dae ha yu gyung rye

:

Bow to the Flag   국기에대하여경례

Kwan Jang Nim Kay Kyung Yet

:

Bow to the Mentor

Sa Bum Nim Gge Gyung Rye

:

Bow to Instructor   사범님께경례

Kyo Sah Nim Kay Kyung Yet

:

Bow to Instructor

Sun Beh Nim Kay Kyung Yet

:

Bow to Senior member

Joon bi 

Ready   준비

Joon Bi Uhn Dong

:

Ready for Warmup Exercises

Bahl Cha Ki Joon Bee

:

Ready for Kick

IL Soo Sik Joon Bee

:

Ready for One Step Sparring

Sam Soo Sik Joon Bee

:

Ready for Three Step Sparring

Ho Sin Sul Joon Bee

:

Ready for Self-defense

Si Jak

Begin   시작

Jin Kun

:

Advance   진전

Dorah

Turn   

Dwi uro dorah 

about face; turn around    뒤로돌아

Tashi

:

Again  다시

Bahl bah kwah

switch your stance (lit: switch your feet)   발바꿔

Ku ryung e mat cho so

:

By the Count

Ku ryung up shi

:

Without Count (lit: “in your own time”) 

Kalyeo

:

Break (or stop)

Kye Sok

Continue   계속

Kyo dae

:

Change / Rotate with partner

Gomahn

Stop (also "mum cho")   그만

Chung gee

:

Stop

Bah ro

Return to starting position

Dobok dahnjung

Fix your uniform

Dhee dahnjung

Fix your belt

Shiuh

Relax

Ahnjoe

Sit

Kool o angi

Kneel (kneeling)

Bah ro angi

Sit in lotus position (yoga posture)

Hai sahn

Class dismissed (also "hae cho")

Kam Sa Hap Ni Da

Thank You    감사합니다

Ch'un Man E Yo 

:

You're Welcome    천만에요

 

Korean Counting

There are two different numbering systems that are used by Koreans. The first numbering system comes from the Native Korean language, and is used when counting, or when only speaking of the numbers themselves. The first ten numbers in this system are as follows:

1

:

hanah

2

:

dool

3

:

set

4

:

net

5

:

dasot

6

:

yasot

7

:

ilgop

8

:

yadol

9

:

ahop

10

:

yool

The stress in "hanah", "dasot", and "yasot" is on the first syllable, in "ilgop", "yadol", and "ahop" on the second. In counting cadence in TaeKwonDo, this is so emphasized that the other syllable frequently almost disappears (e.g., "han", "das", "yos", "lgop", "hop", etc.).

The other numbering system (which is of Chinese origin) is used in most other cases and is often used where Americans would use ordinal numbers (such as "first", "second", etc ...) and is designated as the Sino-Korean system. For example, this second numbering system is used when describing a person's rank: a first degree black belt would be an "il dan". The first ten numbers in this numbering system are as follows:

1

:

il

2

:

ee

3

:

sahm

4

:

sah

5

:

oh

6

:

ryook

7

:

chil

8

:

pal

9

:

koo

10

:

ship

The final `l' in "chil" and "pal" isn't rounded, like an American `l' .... It's a much shorter sound, sort of like the initial `l' in "let", but even shorter. It's not like the `l' in "ball".

When pronouncing the word "ship", you must not emphasize the "sh" sound. It's almost more like "sip" with a sort of a lisp. If you pronounce it like "sh" in "shell", then you are referring to sexual intercourse.

Even though this second numbering system may correspond to ordinal numbers in English in some cases, these are not ordinal numbers. Koreans use a separate set of words for ordinal numbers.

Directions

oo

:

right (also "oh-ruen")

joa

:

left (also "wen")

ahp

:

front

ahn

:

inner

bahkat

:

outer

bahndae

:

reverse

dwi

:

back

ahnuro

:

inward

bahkuro

:

outward

whee

:

high (up)

whee uro

:

upward

guande

:

middle

ulgool

:

high section (also "sahngdahn")

momtong

:

middle section (also "chungdahn")

ahrae

:

low section (also "hahdahn")

ahn eso phaku ro

:

inside/outside

phakeso ahn uro

:

outside/inside

yup

:

side

dwi ro

:

look back

dara

:

turn

dollyo 

:

turning (or with back leg/hand)

 

Anatomy (Hae Bu)

Mom 

Body   ()

Kwanjeol 

Joint 

Ul-goo l

Face (& head)   (얼굴)

Mo-ri 

Head   (머리)

Ima

:

Forehead  (이마)

Kwan Cha Nul Ee

:

Temple

Noon 

Eye   ()

Gu i

Ear   ()

Ko 

Nose   ( )

In joong

Philtrum 

Eep

Mouth 

T’uk

Chin; jaw  ()

Mok Goo Mung

Throat   (목구멍)

Mok 

Neck   ( )

U Ggae

Shoulder   (어깨 )

Ka-seum

:

Chest   (가슴)

Hagi  chi

Solar  plexus

Pah l

Arm   ()

Pahl-kup 

Elbow   (팔굽)

Pahl-mok

Forearm   (팔목)

Ahn  pahlmahk 

Inner  side of forearm

Bahkat  pahlmahk

Outer  side of forearm

Meet  pahlmahk

Palm  side of forearm

Wi  pahlmahk

Back  side of forearm

Deung pahlmahk

Back  of forearm

Son-mok

Wrist   (손목)

Son 

Hand  ()

Sahnkal 

Outside  edge of hand (hagiand)

Sahnka l deung

Inside edge of hand (ridgehand)

Sahn  deung

Back  hand

Joomok 

Fist 

Sahnkahrak

Finger 

Sahnkeut 

Fingertip

Teung

:

Back   ()

Momtong

Trunk  (middle section)

Huri

Waist 

Dan Jon

:

Abdomen   ( )

Ahrae

Lower  body (low section)

Nang Sim

Groin   (낭심)

Ko Hwan

:

Groin

Ung Dung I

:

Hip  (엉덩)

DaRi

Leg   (다리)

Nup Juk DaRi

:

Thigh ( 넓적다리 )

Moo-reup 

Knee   (무릎 )

Jung kang yi

Shin   (정강이 )

Bahl mahk

Ankle   (발목)

Bahl

Foot (or feet)   ()

Bahldung

Instep 

Bahlbong oh ri

Arch  of foot

Bahl nahl

Outside  edge of foot

Chook Do

:

Edge of Foot

An bahl nahl

Inside  edge of foot

Bahl badak

Sole  of foot

Ahp chook

Ball  of foot

Ahp Kup

:

Ball of Foot

Dwi  koomchi

Heel 

Dwi Kup

:

Heel of Foot

Dwi  chook

Bottom  of heel

Bahl-keut

:

Toes   ( )

 

Body Movements

mom omgigi

:

movement of the body

mahki

:

block

chagi

:

kick

chirugi

:

thrust (or punch)

chigi

:

strike (with the hand)

jeek gi

:

strike (with the foot)

bahk gi

:

strike (with the head)

sahn ki sool

:

hand technique

bahl ki sool

:

foot technique

kyorugi

:

sparring

bituro

:

twisting

gamya

:

stepping (also "omkyuh didigi")

kuht neun

:

walking

uro

:

moving in a particular direction (e.g. "ahp uro gamya" - stepping forward)

bang hyang bakoogi

:

changing direction

bitkyuh surgi

:

escaping

tdwim yu

:

jumping

dora

:

to turn

dolmyo

:

spinning

mee keul myu

:

sliding (also "mee kul gi")

jupgi

:

holding/grabbing

donzigi

:

throwing

goorugi

:

rolling/tumbling

pyihagi

:

dodging

hecho

:

spreading

moyo

:

gathering

bojoo

:

covering

jajun

 

use of footwork to dodge a technique

nachugi

 

body evasion by "ducking"

Hand Positions

sahnkal

:

knifehand

sahnkal jecho

:

knifehand with palm up

sahnkal deung

:

ridgehand (also "oppun sahnkal")

sahn bahtong

:

palm heel (also "bahtong sahn")

sahn deung

:

back hand (also "deung sahn")

ah keum sahn

:

arc hand

galkwi sahn

:

ripping (or raking) hand

jipke sahn

:

pincers hand

joomok

:

fist

deung joomuk

:

back fist

me joomuk

:

hammer-fist

inju joomuk

:

forefinger one-knuckle fist

bamchu joomuk

:

middle-finger one-knuckle fist

doo bam joomuk

:

two-knuckle fist

pyun joomuk

:

flat (or open) fist

omji joomuk

:

thumb-knuckle fist

kwan soo

:

spearhand (also "pyun sahnkeut")

sahnkeut

:

spearfinger

gawi sahnkeut

:

scissors-shaped spearfingers

Hand Attacks

bahro chirugi

:

straight (return) punch

bahndae chirugi

:

reverse punch

gullgi chirugi

:

hook punch

yung seuk chirugi

:

combination (consecutive) punch

doo bun chirugi

:

double punch

sae bun chirugi

:

triple punch

sahnkeut chirugi

:

spearfinger thrust

sewo chirugi

:

vertical punch

gotjang chirugi

:

vertical fist punch

dolrya chirugi

:

round punch

dwijubo chirugi

:

upset punch

soteum chirugi

:

spring punch

nehryuh chirugi

:

downward punch

chi chirugi

:

uppercut punch

jae chuh chirugi

:

upper punch (also "jae chin chirugi")

doo joomuk chirugi

:

Double-fist punch

dikootja chirugi

:

`U' (or `C') shaped punch (hi-lo)

sosum chirugi

:

double uppercut punch

keumgang chirugi

:

diamond-shaped punch

nalgeh chirugi

 

wing-shaped punch

chun joe je ru ki

 

center knuckle punch

su do chee ki

 

knife hand striking

yuk su do chee ki

 

inner knife hand striking

kack kwon chee ki

 

back fist striking

jang kwon chee ki

 

palm heel striking

ho ku chee ki

 

tiger´s mouth

kwan su jee ru ki

 

spear hand striking

pal duk chee ki

 

forearm striking

pal kun che chee ki

 

elbow striking

mae dup chee ki

 

half spear hand striking

son mok chee ki

 

wrist striking

gum jae mae dup

 

index finger striking

mae dup joop oh chee ki

 

knuckle punch

mang che chee ki

 

hammer striking

sun va duck che ki

 

palm hand striking

ju mok chee ki

 

fist striking

oh je jek ki

 

five finger striking

tuk chee ki

 

chin striking

Blocks

bahkat palmahk mahki

:

outer forearm block

ahn palmahk mahki

:

inner forearm block

sahng palmahk mahki

:

twin forearm block

ahnuro mahki

:

inward block

bahkuro mahki

:

outward block

ahrae mahki

:

low block

cho kyo mahki

:

rising block

daebi mahki

:

guarding block

bituro mahki

:

twisting block

gahwi mahki

:

scissors block

keumgang mahki

:

diamond-shaped (Hercules) block

gutjha mahki

:

`9'-shaped block (cross block)

yeot pero mahki

:

`X'-shaped block (also "kyo cha mahki")

santeul mahki

:

mountain-shaped block (also "osanteul mahki")

weh santeul mahki

:

part mountain-shaped block

utgallruyuh mahki

:

cross block (also "utgiruh mahki")

hechuh mahki

:

scattered block (or wedge block)

hwang so mahki

:

ox (or "bull") block

bahtangsahn nooluh mahki

:

pressing down block

deuluh oll ryu mahki

:

upward scooping fist block

Kicks

ahp chagi

:

front heel kick

yup chagi

:

side kick

dolrya chagi

:

round (roundhouse) kick

dwi chagi

:

back kick

Andare  chagi

 

inside kick

pak kat da re cha ki

:

outside kick

jok ki je ru ki

 

center toe kick

an da re met cha ki

 

inside low scoop kick

be kyo cha ki

 

slap kick

jok do met cha dol re ki

 

low curve kick

de kum chi cha na re ki

 

heel down kick

de kum chi met cha dol re ki

 

low circle heel kick

jok do aup cha al re ki

 

knife edge front kick

jok do cha na re ki

 

knife edge down kick

jok do cha nuk ki

 

knife edge push kick

bahndae dolrya chagi

:

reverse round kick ("hook kick" for some styles)

dwi dolrya chagi

:

back round kick ("hook kick" for some styles)

gullgi chagi

:

hook kick (also "golcho chagi" or "golro chagi")

hoohrio chagi

:

wheel kick

beet chagi

:

slant (or instep) kick

bahn dolrya chagi

:

half round kick (also "instep kick")

nehryuh jeek gi

:

ax kick; literally "downward foot strike"

hwe jun chagi

:

swing kick

mil a chagi

:

pushing kick (also "mil gi chagi")

de kum chi yup cha ki

 

heel down hook kick

de kum chi due cha ki

 

heel inside hook kick

jok ki no pe cha ki

 

round house kick

du kum chi no pe cha dol re ki

 

heel high hook kick

de kum chi cha na re ki

 

heel down kick

bal mak ki

 

cover kick

mu rup cha ki

 

knee kick

Stances

sohgi

:

stance

jah seh

:

posture (or stance) [used instead of "sohgi" in some styles]

ahnjun sohgi

:

sitting stance

ahp sohgi

:

front stance

ahp koo bi sohgi

:

front bent knee stance (also just "ahp koo bi")

dwi sohgi

:

back stance

dwi koo bi sohgi

:

back bent knee stance (also just "dwi koo bi")

beom sohgi

:

cat (or tiger) stance (also "goyang-i sohgi")

kuht neun sohgi

:

walking stance

juchoom sohgi

:

horseback riding stance ("kima sohgi" in some styles)

mot sohgi

:

fighting stance

kyorugi sohgi

:

sparring stance

Joon bi sohgi

:

ready stance (also "pyeonhi sohgi")

gibon sohgi

:

basic stance

guande sohgi

:

middle stance

naranhee sohgi

:

parallel stance

niun ja sohgi

:

`L'-stance

gojang sohgi

:

fixed (lower-back) stance

sa sun sohgi

:

diagonal stance

gyuttari sohgi

:

fixed balance (or bent knee) stance

koh ah sohgi

:

crossed foot stance

kyo cha sohgi

:

`X'-stance

mo ah sohgi

:

close stance

joong-rib sohgi

:

neutral stance

dong yuk sohgi

:

dynamic stance

cha yun sohgi

:

natural stance

chagi sohgi

:

kicking stance

hahktari sohgi

:

crane stance (also "ue bal sohgi")

ju mok aup ja sae

 

stance with fists in the front

ju mok yup ja sae

 

stance with fists to the side

do son mo ah ren ja sae

 

stance with raise hands

han son oel ren ja sae

 

stance with raise back hand

do son oel yo boul ren ja sae

 

stance with open hands

pal jang han ja sae

 

stance with fold arms

so do aup han ja sae

 

stance with knife hands

 

Drills:

kyorugi

:

(free) sparring

han bun kyorugi

:

one step sparring

boo sang

:

injury

Forms

Sool

:

Technique

Hyung

:

Form

Beop

:

Method

Equipment

dobok

 

uniform

dhee

 

belt

ha'i

 

training pants

hogoo

 

chest protector (also "bohogoo")

sahn boho jang kap

:

protective gloves

pahlmahk bohodae

:

forearm guard

jung kang yi bohodae

:

shin guard

nang shim bohodae

:

groin cup

muh ree bohodae

:

protective head gear

eep bohodae

:

mouth guard

 

Common Phrases

ye

:

yes (also "ne")

anio

:

no

kahm sa hamnida

:

thank you

komap sumnida

:

less formal form of "thank you"

cheon maeneyo

:

you're welcome (literally "Don't mention it!")

cheuk ka hamnida

:

congratulations!

ahnyong hasimnika

:

How are you? (literally "Are you well?" or "Are you at peace?")

ahnyong hasayo

:

less formal form of "How are you?"

yoboseyo

:

hello (used on the phone or to get someone's attention; literally "Please look here!")

ahnyonghee gasipsiyo

:

good-bye (to the person who is leaving); literally "Go in peace!"

ahnyonghee gyesipsiyo

:

good-bye (to the person who is staying); literally "Stay in peace!"

ahnyonghee gasayo

:

less formal form of "good-bye" (to the person who is leaving)

ahnyonghee gyesayo

:

less formal form of "good-bye" (to the person who is staying)

pangap seumnida

:

Pleased to meet you!

toh poepkeseoyo

:

See you later!

eoseo osayo

:

Welcome!

choesong hamnida

:

I'm sorry

mian hamnida

:

less formal form of "I'm sorry!"

shillye hamnida

:

Excuse me! (asking forgiveness for an impolite act)

kwaen chanayo

:

That's all right

ahlge seoyo

:

I understand

moreuge seoyo

:

I don't understand

chaemi isseoyo

:

It is fun (or interesting)!

Miscellaneous

dojang

:

place where one trains (house of discipline)

gong-kyok

:

offense

hosinsool

:

self-defense

mukyum

:

meditation

kihap

:

yell

jung shin yuk

:

mental strength, or martial art spirit (also "moodo jung shin")

jung shin dong il

:

concentration of the mind

jung shin soo yang

:

development (training) of the mind

jung do

:

the "right" way (correctness of action)

sim shin dahn ryun

:

mind and body discipline

chung myung kwon

:

development (training) of the body, mind, and spirit

chi shik

:

knowledge of mind and thoughts

heng dong

:

execution (action) of the body and its techniques

pil seung

:

certain victory

il sok pil sai

:

one strike must kill

ho hyoop

:

breathing

shim ho hyoop

:

breathing control (deep breathing)

himm

:

force or power

ki

:

life-energy

dahnjun

:

the center of your "ki"

bokboo

:

the stomach area where "ki" is generated.

choong sim

:

center of gravity

chojum

:

focus (focal point) of your energy

jeung ga

:

increase (to strengthen or augment)

kyuk pa

:

breaking (the art of breaking boards, bricks, and tiles)

shibum

:

demonstration (or exhibition)

pyugi

:

stretching

ye jol

:

etiquette

jon gyung

:

respect

choong sung

:

loyalty (also "eui ri")

jung jhik

:

honesty

kahjok

:

family

chung

 

blue

hong

 

red

hin

 

white

 

Han-gul

The Korean language is classified as a Ural-Altaic language, a group which also includes Mongolian, Hungarian, and Finnish. The Korean character system, "han-gul", is completely different from and independent of Chinese and Japanese. 'Han-gul' was developed by a group of scholars under the patronage of King Sejong in 1443. It is composed of 10 vowels and 14 consonants, which are used to form numerous syllabic groupings.

 

 

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