Terminology Project
Korean Terminology Project
for Hapkido
with special thanks to the people at the Hapkido In-fo Forum
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The Korean name for Korea is "Hangeuk" and its people are called "Hangeuksaram". The ancient name for Korea is "Choson", which means literally "the land of morning calm" and comes from the "Choson" dynasty of Korea's history (1392-1905). The name "Korea" comes from the "Koryu" dynasty of Korea's history (935-1392) during which westerners had their first contact with Korea.
The national anthem of Korea is "Aeguk Ka" ("Love of Country"). It was written during the Japanese occupation of Korea (circa 1905-1945) and was later set to music by Ahn Eak Tai.
The Korean flag is called "Taeguk-ki" and was adopted in August of 1882, not long after the "Hermit Kingdom" opened its front and back doors to foreign aggressive powers. The central theme of the flag is that although there is constant movement within the sphere of infinity, there is also balance and harmony. The flag consists of three parts: a white field (or background), a red and blue circle in the center of the flag (containing a "yin-yang" like symbol), and four black tri-grams surrounding the circle in each of the four corners of the flag.
The circle in the center is called "Taeguk" and means the origin of all things in the universe. The red and blue paisleys within the circle represent eternal duality (heaven-earth, fire-water, good-evil, male- female, dark-light, life-death). The blue portion of the circle is called "um" and represents the negative aspects of this duality; the red portion of the circle is called "yang" and represents the positive aspects. "Um-yang" is the Korean equivalent of "yin-yang".
The four black trigrams come from the Chinese book of "I Ch'ing". The trigrams also carry the idea of opposites and of balance. Each trigram (or "gye") consists of three parallel lines, some of which are broken (split), and some of which are unbroken (solid). Each gye has a specific name and represents one or more concepts: In the upper left-hand corner is "K'un" which consists of all solid lines and represents heaven, east, and spring; In the lower right-hand corner is "K'on" which consists of all broken lines and represents earth, west, and summer; In the upper right-hand corner is "Kam" which consists of one solid line surrounded by two broken lines and represents water, north, and winter; In the lower left-hand corner is "I" which consists of one broken line surrounded by two solid lines and represents fire, south, and autumn.
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The term “hapkido” is an amalgam of three syllables. “hap” suggests a coordination among parts, while “ki” is a term universally recognized as referring to power or energy. The syllable “-do” is used almost universal in Asian culture to identify a “way” or a choice of lifestyle. Putting these three syllables together produces the term “hapkido” or “Way of Coordinated Energy”. Thought by some to be a contraction of the longer “hapkiyukwonsul” or “coordinated pliant hand techniques” there is also a line of thought that “hapkido” was as much a political or social effort to keep the adherents of the “Kido” arts separate and distinct from the “Hapkido arts. In most cases though, this latter is a distinction without a real difference. While originally held by many to identify a single specific tradition, with time, the term “hapkido” has come to be a more general term to identify a family of arts which have been accepted from other cultures but structured in such a way as to reflect the culture and purpose of the Korean people.
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|
Ch’ung |
: |
Loyalty to One’s Country |
|
Hyo |
: |
Fealty to One’s Parents |
|
Shim |
: |
Fidelity to One’s Friends |
|
Yong |
: |
Courage in the face of Injustice |
|
Im |
: |
Benevolence to all. |
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|
Won |
: |
The Water Principle: To accept what is given and to use what is offered. Take the situation on its own terms and seek to use what is at hand. |
|
Hwa |
: |
Economy of Energy Principle: Never work harder than your opponent; K.I.S.S.; Work smarter, not harder. |
|
Hyo |
: |
Point-&-Circle Principle: All things are a cycle; harnessing cycles and recycling increases the chances of a good outcome. |
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|
Kan kyok |
: |
Interval: optimal space between combatants at which to either execute offensive techniques or maintain defenses. ( 간격 [間隔] ) also: kan hap (간합 ) |
|
Himm |
: |
Power: physical energy, force, might. ( 힘 ) |
|
Jip joong |
: |
Concentration; concentrate one's attention [mind] on (one's work). ( 주의를 집중 하다 ) |
|
Sok ryok |
: |
Velocity: Rate at which a specific body part, a weapon or an item moves. ( 속력 [速力] ) |
|
Sok do |
: |
Speed: rate at which an individual moves their body as a unit to cover distance. (속도 [速度] ) |
|
Jan shim |
: |
Sustained Focus: concentration maintained after the execution of a technique where the connection to the attacker or the situation is preserved. On a physical level this suggests a readiness for further action while on an emotional and intellectual level it suggests that balance and clarity are maintained. {lit: “lingering mind” 잔 심 ( 残心 ) } |
|
Peom wee |
: |
Sphere, or Range, of Influence: “dynamic sphere” { 세력 범위 (範圍) } |
|
Jo hwa |
: |
Balance: ability to execute an identified technique or action while maintaining ones’ physical relationship with the environment relates also to being able to maintain ones’ emotional and psychological relationship as well. { 조 화 } |
|
T’aedo |
: |
Bearing: demeanor or manner { 태 도 ( 態度 ) } |
|
Shi Son |
: |
Focus of eyes; eye contact { 시선 ( 視線 ) } |
|
Cho jeom |
: |
Focus: point at which the maximum physical and mental energy is applied for optimal result. {초 점 } |
|
Ch’im ch’ak |
: |
Composure: self-control, self-possession; presence of mind; calmness; coolness, unflappable { 침 착 } |
|
Haeng dong |
: |
Execution: action of the body and its techniques ( 행 동 ) |
|
Dan ryon |
: |
Conditioning: Ability of the body to sustain performance in resistance to shock. { 단련 ( 鍛鍊 ) } ( Lit: ~하다improve; cultivate; school; harden; steel ((one's courage)); exercise; subject to discipline.) |
|
Bunseok |
: |
“analysis”; to consider the practical functions of a form |
|
Eung yong |
: |
“application”; the result of analyzing the functions of a form |
|
Baekja |
: |
“timing”; Coordination of ones’ own motion with that of ones’ opponents in order to produce a desired effect. (柏子/백자 ) Includes: Pre-emptive strike: 선 제 공격; to take the initiative in the attack. seon eui seon선의 선/ Retaliatory strike: hu eui seon후의 선/ |
|
Acceleration |
: |
thrust or snap occurring in the final moments of a technique in order to maximize effect. |
|
Alignment |
: |
effort to maintain the organization of ones’ body around the centerline . |
|
Angle of Attack |
: |
vector at which a weapon (strike, kick or item) approaches the centerline of the opponents’ body. |
|
Center of Mass |
: |
point along the centerline above which increasing degrees of instability result. |
|
Centrifugal Force |
: |
spiraling force tending to cast the opponent away. |
|
Centripetal Force |
: |
spiraling force tending to draw the opponent in. |
|
Conditioning |
: |
ability of the body to sustain performance in resistance to shock. |
|
Deceleration |
: |
the nature of ones’ mass to absorb energy from an action or technique. |
|
Entering the Centerline |
: |
to move towards the centerline of one's opponent. |
|
Exiting the Centerline |
: |
to move away from the centerline of one's opponent. |
|
Intensity |
: |
degree of increased intent to execute an action characterized by increased recruitment of muscle tissue, heart rate, and respiration. |
|
Mass |
: |
weight in relationship to stature. |
|
Negotiation |
: |
relationship between training partners intended to arrive at optimum performance between them. |
|
Non-Alignment |
: |
action intended to disrupt the opponents ability to maintain organization around his centerline. |
|
Parry |
: |
to redirect the opponents’ angle of attack into another vector. |
|
Relaxation |
: |
degree of decreased intent to execute an action characterized by decreased recruitment of muscle tissue, heart rate, and respiration. |
|
Rhythm |
: |
variance in execution accounting for changes in the environment or the opponent as the action proceeds. |
|
Shock |
: |
deterioration of performance in response to a specific and discrete event. |
|
Staleness |
: |
deterioration of performance over time as a result of inadequate recovery time allowed among training sessions. |
|
Tempo |
: |
regularity in execution independent of changes in the environment or the opponent as the action proceeds (aka: “pro-forma” execution) |
|
Un-timing |
: |
to impair, offset, or disrupt the skills of ones’ opponent to produce a well-timed effort. |
|
Velocity |
: |
rate at which a body part, a weapon or an item moves through space |
|
Qualities |
||
|
Jong Euye |
: |
Justice: righteousness; a just cause { 정 의 ( 義 ) } |
|
In |
: |
Benevolence: humanity; philanthropy; charity. { 인 (仁愛)} |
|
Yae jeol |
: |
Courtesy: etiquette; decorum; propriety; politeness; civility. { 예 절; 예의(禮儀) } |
|
Ji |
: |
Wisdom: sense. { 지 ( 智 )} |
|
Yong-gi |
: |
Courage: courage; valor; bravery; boldness; { 용기 (勇氣 ) } |
|
Shin-yo |
: |
Trust: confidence; reliance; faith; credence; { 신용 ( 信用 )} |
|
Seon |
: |
Goodness: a good deed. { 선 ( 善 ) } |
|
Deok |
: |
Virtue: moral excellence; the power of commanding love and respect. { 덕 ( 德 ) } |
|
Dong jeong |
: |
Compassion: sympathy; pity. { 동정 ( 同情 ) } also: Shi ( 시 ) |
|
Jon jung |
: |
Respect: esteem, regard; deference or Chon Kyung { 존중 ( 尊重 ) } |
|
In Neh |
: |
Perseverance: Endurance; Patience { 인내 ( 忍耐 ) } |
|
Kyum Son |
: |
Humility: modesty { 겸손 ( 謙遜 ) } |
|
Jeong jik |
: |
Honesty: veracity; { 정직 ( 正直 ) } |
|
Pum haeng |
: |
Morals:
moral
conduct; moral character; morals. |
|
Cheon ryum |
: |
Integrity { 청렴 ( 淸廉 ) } |
|
Maeum |
: |
Spirit: mind; soul { 마 음 (mauem-ssi: “heart”) } Also: mind; spirit; { 정신 ( 精神 ) } |
|
Chung Shim |
: |
Faithfulness: devotion; sincerity; wholeheartedness. { 충심 ( 忠心 ) } Also: One’s true heart; one's inmost feelings[heart]. { 충심 ( 衷心 ) } |
|
Chung Shin |
: |
Fidelity; loyalty; dedication.(lit: “center mind” ) { 충신 ( 忠信 ) } |
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|
Do joo nim |
: |
Keeper of the Art |
|
Kwanjangnim |
: |
Director or “mentor” |
|
Saengsanim |
: |
Respectful form of "saengsa” which means “teacher” but is likewise a general term of address not unlike “mister”. |
|
Sun bae nim |
: |
Senior student |
|
Hu bae nim |
: |
Junior student |
|
Hak saeng |
: |
Student |
|
Suryun saeng |
: |
Trainee |
|
Cho Bo Ja |
: |
Beginner |
|
Keup |
: |
Rank or grade {급 ( 級 ) } |
|
Dan |
: |
Degree { 단 ( 段 ) } |
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|
Jonglee |
: |
Line up (also "ji hap" and "jung yul") |
|
Anj uh mook sang |
: |
Sit for Meditation 앉어묵상 |
|
Elosoh |
: |
Stand |
|
Geuk gi hyang ha yoh |
: |
Face the flag |
|
Jwa woo hyang woo |
: |
Face each other |
|
Sah bum nim keh |
: |
Face instructor/master |
|
Sun bae nim keh |
: |
Face senior student |
|
Simsa kwan nim keh |
: |
Face examiner/tester |
|
Cha ryuht |
: |
Attention |
|
Kyung rye |
: |
Bow 경례 |
|
Kook gi e dae ha yu gyung rye |
: |
Bow to the Flag 국기에대하여경례 |
|
Kwan Jang Nim Kay Kyung Yet |
: |
Bow to the Mentor |
|
Sa Bum Nim Gge Gyung Rye |
: |
Bow to Instructor 사범님께경례 |
|
Kyo Sah Nim Kay Kyung Yet |
: |
Bow to Instructor |
|
Sun Beh Nim Kay Kyung Yet |
: |
Bow to Senior member |
|
Joon bi |
: |
Ready 준비 |
|
Joon Bi Uhn Dong |
: |
Ready for Warmup Exercises |
|
Bahl Cha Ki Joon Bee |
: |
Ready for Kick |
|
IL Soo Sik Joon Bee |
: |
Ready for One Step Sparring |
|
Sam Soo Sik Joon Bee |
: |
Ready for Three Step Sparring |
|
Ho Sin Sul Joon Bee |
: |
Ready for Self-defense |
|
Si Jak |
: |
Begin 시작 |
|
Jin Kun |
: |
Advance 진전 |
|
Dorah |
: |
Turn |
|
Dwi uro dorah |
: |
about face; turn around 뒤로돌아 |
|
Tashi |
: |
Again 다시 |
|
Bahl bah kwah |
: |
switch your stance (lit: switch your feet) 발바꿔 |
|
Ku ryung e mat cho so |
: |
By the Count |
|
Ku ryung up shi |
: |
Without Count (lit: “in your own time”) |
|
Kalyeo |
: |
Break (or stop) |
|
Kye Sok |
: |
Continue 계속 |
|
Kyo dae |
: |
Change / Rotate with partner |
|
Gomahn |
: |
Stop (also "mum cho") 그만 |
|
Chung gee |
: |
Stop |
|
Bah ro |
: |
Return to starting position |
|
Dobok dahnjung |
: |
Fix your uniform |
|
Dhee dahnjung |
: |
Fix your belt |
|
Shiuh |
: |
Relax |
|
Ahnjoe |
: |
Sit |
|
Kool o angi |
: |
Kneel (kneeling) |
|
Bah ro angi |
: |
Sit in lotus position (yoga posture) |
|
Hai sahn |
: |
Class dismissed (also "hae cho") |
|
Kam Sa Hap Ni Da |
: |
Thank You 감사합니다 |
|
Ch'un Man E Yo |
: |
You're Welcome 천만에요 |
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There are two different numbering systems that are used by Koreans. The first numbering system comes from the Native Korean language, and is used when counting, or when only speaking of the numbers themselves. The first ten numbers in this system are as follows:
|
1 |
: |
hanah |
|
2 |
: |
dool |
|
3 |
: |
set |
|
4 |
: |
net |
|
5 |
: |
dasot |
|
6 |
: |
yasot |
|
7 |
: |
ilgop |
|
8 |
: |
yadol |
|
9 |
: |
ahop |
|
10 |
: |
yool |
The stress in "hanah", "dasot", and "yasot" is on the first syllable, in "ilgop", "yadol", and "ahop" on the second. In counting cadence in TaeKwonDo, this is so emphasized that the other syllable frequently almost disappears (e.g., "han", "das", "yos", "lgop", "hop", etc.).
The other numbering system (which is of Chinese origin) is used in most other cases and is often used where Americans would use ordinal numbers (such as "first", "second", etc ...) and is designated as the Sino-Korean system. For example, this second numbering system is used when describing a person's rank: a first degree black belt would be an "il dan". The first ten numbers in this numbering system are as follows:
|
1 |
: |
il |
|
2 |
: |
ee |
|
3 |
: |
sahm |
|
4 |
: |
sah |
|
5 |
: |
oh |
|
6 |
: |
ryook |
|
7 |
: |
chil |
|
8 |
: |
pal |
|
9 |
: |
koo |
|
10 |
: |
ship |
The final `l' in "chil" and "pal" isn't rounded, like an American `l' .... It's a much shorter sound, sort of like the initial `l' in "let", but even shorter. It's not like the `l' in "ball".
When pronouncing the word "ship", you must not emphasize the "sh" sound. It's almost more like "sip" with a sort of a lisp. If you pronounce it like "sh" in "shell", then you are referring to sexual intercourse.
Even though this second numbering system may correspond to ordinal numbers in English in some cases, these are not ordinal numbers. Koreans use a separate set of words for ordinal numbers.
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|
oo |
: |
right (also "oh-ruen") |
|
joa |
: |
left (also "wen") |
|
ahp |
: |
front |
|
ahn |
: |
inner |
|
bahkat |
: |
outer |
|
bahndae |
: |
reverse |
|
dwi |
: |
back |
|
ahnuro |
: |
inward |
|
bahkuro |
: |
outward |
|
whee |
: |
high (up) |
|
whee uro |
: |
upward |
|
guande |
: |
middle |
|
ulgool |
: |
high section (also "sahngdahn") |
|
momtong |
: |
middle section (also "chungdahn") |
|
ahrae |
: |
low section (also "hahdahn") |
|
ahn eso phaku ro |
: |
inside/outside |
|
phakeso ahn uro |
: |
outside/inside |
|
yup |
: |
side |
|
dwi ro |
: |
look back |
|
dara |
: |
turn |
|
dollyo |
: |
turning (or with back leg/hand) |
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|
Mom |
: |
Body (몸) |
|
Kwanjeol |
: |
Joint |
|
Ul-goo l |
: |
Face (& head) (얼굴) |
|
Mo-ri |
: |
Head (머리) |
|
Ima |
: |
Forehead (이마) |
|
Kwan Cha Nul Ee |
: |
Temple |
|
Noon |
: |
Eye (눈) |
|
Gu i |
: |
Ear (귀) |
|
Ko |
: |
Nose (코 ) |
|
In joong |
: |
Philtrum |
|
Eep |
: |
Mouth |
|
T’uk |
: |
Chin; jaw (턱) |
|
Mok Goo Mung |
: |
Throat (목구멍) |
|
Mok |
: |
Neck (목 ) |
|
U Ggae |
: |
Shoulder (어깨 ) |
|
Ka-seum |
: |
Chest (가슴) |
|
Hagi chi |
: |
Solar plexus |
|
Pah l |
: |
Arm (팔) |
|
Pahl-kup |
: |
Elbow (팔굽) |
|
Pahl-mok |
: |
Forearm (팔목) |
|
Ahn pahlmahk |
: |
Inner side of forearm |
|
Bahkat pahlmahk |
: |
Outer side of forearm |
|
Meet pahlmahk |
: |
Palm side of forearm |
|
Wi pahlmahk |
: |
Back side of forearm |
|
Deung pahlmahk |
: |
Back of forearm |
|
Son-mok |
: |
Wrist (손목) |
|
Son |
: |
Hand (손) |
|
Sahnkal |
: |
Outside edge of hand (hagiand) |
|
Sahnka l deung |
: |
Inside edge of hand (ridgehand) |
|
Sahn deung |
: |
Back hand |
|
Joomok |
: |
Fist |
|
Sahnkahrak |
: |
Finger |
|
Sahnkeut |
: |
Fingertip |
|
Teung |
: |
Back (등) |
|
Momtong |
: |
Trunk (middle section) |
|
Huri |
: |
Waist |
|
Dan Jon |
: |
Abdomen (단 전) |
|
Ahrae |
: |
Lower body (low section) |
|
Nang Sim |
: |
Groin (낭심) |
|
Ko Hwan |
: |
Groin |
|
Ung Dung I |
: |
Hip (엉덩) |
|
DaRi |
: |
Leg (다리) |
|
Nup Juk DaRi |
: |
Thigh ( 넓적다리 ) |
|
Moo-reup |
: |
Knee (무릎 ) |
|
Jung kang yi |
: |
Shin (정강이 ) |
|
Bahl mahk |
: |
Ankle (발목) |
|
Bahl |
: |
Foot (or feet) (발) |
|
Bahldung |
: |
Instep |
|
Bahlbong oh ri |
: |
Arch of foot |
|
Bahl nahl |
: |
Outside edge of foot |
|
Chook Do |
: |
Edge of Foot |
|
An bahl nahl |
: |
Inside edge of foot |
|
Bahl badak |
: |
Sole of foot |
|
Ahp chook |
: |
Ball of foot |
|
Ahp Kup |
: |
Ball of Foot |
|
Dwi koomchi |
: |
Heel |
|
Dwi Kup |
: |
Heel of Foot |
|
Dwi chook |
: |
Bottom of heel |
|
Bahl-keut |
: |
Toes ( 발 끝) |
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|
mom omgigi |
: |
movement of the body |
|
mahki |
: |
block |
|
chagi |
: |
kick |
|
chirugi |
: |
thrust (or punch) |
|
chigi |
: |
strike (with the hand) |
|
jeek gi |
: |
strike (with the foot) |
|
bahk gi |
: |
strike (with the head) |
|
sahn ki sool |
: |
hand technique |
|
bahl ki sool |
: |
foot technique |
|
kyorugi |
: |
sparring |
|
bituro |
: |
twisting |
|
gamya |
: |
stepping (also "omkyuh didigi") |
|
kuht neun |
: |
walking |
|
uro |
: |
moving in a particular direction (e.g. "ahp uro gamya" - stepping forward) |
|
bang hyang bakoogi |
: |
changing direction |
|
bitkyuh surgi |
: |
escaping |
|
tdwim yu |
: |
jumping |
|
dora |
: |
to turn |
|
dolmyo |
: |
spinning |
|
mee keul myu |
: |
sliding (also "mee kul gi") |
|
jupgi |
: |
holding/grabbing |
|
donzigi |
: |
throwing |
|
goorugi |
: |
rolling/tumbling |
|
pyihagi |
: |
dodging |
|
hecho |
: |
spreading |
|
moyo |
: |
gathering |
|
bojoo |
: |
covering |
|
jajun |
|
use of footwork to dodge a technique |
|
nachugi |
|
body evasion by "ducking" |
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|
sahnkal |
: |
knifehand |
|
sahnkal jecho |
: |
knifehand with palm up |
|
sahnkal deung |
: |
ridgehand (also "oppun sahnkal") |
|
sahn bahtong |
: |
palm heel (also "bahtong sahn") |
|
sahn deung |
: |
back hand (also "deung sahn") |
|
ah keum sahn |
: |
arc hand |
|
galkwi sahn |
: |
ripping (or raking) hand |
|
jipke sahn |
: |
pincers hand |
|
joomok |
: |
fist |
|
deung joomuk |
: |
back fist |
|
me joomuk |
: |
hammer-fist |
|
inju joomuk |
: |
forefinger one-knuckle fist |
|
bamchu joomuk |
: |
middle-finger one-knuckle fist |
|
doo bam joomuk |
: |
two-knuckle fist |
|
pyun joomuk |
: |
flat (or open) fist |
|
omji joomuk |
: |
thumb-knuckle fist |
|
kwan soo |
: |
spearhand (also "pyun sahnkeut") |
|
sahnkeut |
: |
spearfinger |
|
gawi sahnkeut |
: |
scissors-shaped spearfingers |
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|
bahro chirugi |
: |
straight (return) punch |
|
bahndae chirugi |
: |
reverse punch |
|
gullgi chirugi |
: |
hook punch |
|
yung seuk chirugi |
: |
combination (consecutive) punch |
|
doo bun chirugi |
: |
double punch |
|
sae bun chirugi |
: |
triple punch |
|
sahnkeut chirugi |
: |
spearfinger thrust |
|
sewo chirugi |
: |
vertical punch |
|
gotjang chirugi |
: |
vertical fist punch |
|
dolrya chirugi |
: |
round punch |
|
dwijubo chirugi |
: |
upset punch |
|
soteum chirugi |
: |
spring punch |
|
nehryuh chirugi |
: |
downward punch |
|
chi chirugi |
: |
uppercut punch |
|
jae chuh chirugi |
: |
upper punch (also "jae chin chirugi") |
|
doo joomuk chirugi |
: |
Double-fist punch |
|
dikootja chirugi |
: |
`U' (or `C') shaped punch (hi-lo) |
|
sosum chirugi |
: |
double uppercut punch |
|
keumgang chirugi |
: |
diamond-shaped punch |
|
nalgeh chirugi |
|
wing-shaped punch |
|
chun joe je ru ki |
|
center knuckle punch |
|
su do chee ki |
|
knife hand striking |
|
yuk su do chee ki |
|
inner knife hand striking |
|
kack kwon chee ki |
|
back fist striking |
|
jang kwon chee ki |
|
palm heel striking |
|
ho ku chee ki |
|
tiger´s mouth |
|
kwan su jee ru ki |
|
spear hand striking |
|
pal duk chee ki |
|
forearm striking |
|
pal kun che chee ki |
|
elbow striking |
|
mae dup chee ki |
|
half spear hand striking |
|
son mok chee ki |
|
wrist striking |
|
gum jae mae dup |
|
index finger striking |
|
mae dup joop oh chee ki |
|
knuckle punch |
|
mang che chee ki |
|
hammer striking |
|
sun va duck che ki |
|
palm hand striking |
|
ju mok chee ki |
|
fist striking |
|
oh je jek ki |
|
five finger striking |
|
tuk chee ki |
|
chin striking |
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|
bahkat palmahk mahki |
: |
outer forearm block |
|
ahn palmahk mahki |
: |
inner forearm block |
|
sahng palmahk mahki |
: |
twin forearm block |
|
ahnuro mahki |
: |
inward block |
|
bahkuro mahki |
: |
outward block |
|
ahrae mahki |
: |
low block |
|
cho kyo mahki |
: |
rising block |
|
daebi mahki |
: |
guarding block |
|
bituro mahki |
: |
twisting block |
|
gahwi mahki |
: |
scissors block |
|
keumgang mahki |
: |
diamond-shaped (Hercules) block |
|
gutjha mahki |
: |
`9'-shaped block (cross block) |
|
yeot pero mahki |
: |
`X'-shaped block (also "kyo cha mahki") |
|
santeul mahki |
: |
mountain-shaped block (also "osanteul mahki") |
|
weh santeul mahki |
: |
part mountain-shaped block |
|
utgallruyuh mahki |
: |
cross block (also "utgiruh mahki") |
|
hechuh mahki |
: |
scattered block (or wedge block) |
|
hwang so mahki |
: |
ox (or "bull") block |
|
bahtangsahn nooluh mahki |
: |
pressing down block |
|
deuluh oll ryu mahki |
: |
upward scooping fist block |
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|
ahp chagi |
: |
front heel kick |
|
yup chagi |
: |
side kick |
|
dolrya chagi |
: |
round (roundhouse) kick |
|
dwi chagi |
: |
back kick |
|
Andare chagi |
|
inside kick |
|
pak kat da re cha ki |
: |
outside kick |
|
jok ki je ru ki |
|
center toe kick |
|
an da re met cha ki |
|
inside low scoop kick |
|
be kyo cha ki |
|
slap kick |
|
jok do met cha dol re ki |
|
low curve kick |
|
de kum chi cha na re ki |
|
heel down kick |
|
de kum chi met cha dol re ki |
|
low circle heel kick |
|
jok do aup cha al re ki |
|
knife edge front kick |
|
jok do cha na re ki |
|
knife edge down kick |
|
jok do cha nuk ki |
|
knife edge push kick |
|
bahndae dolrya chagi |
: |
reverse round kick ("hook kick" for some styles) |
|
dwi dolrya chagi |
: |
back round kick ("hook kick" for some styles) |
|
gullgi chagi |
: |
hook kick (also "golcho chagi" or "golro chagi") |
|
hoohrio chagi |
: |
wheel kick |
|
beet chagi |
: |
slant (or instep) kick |
|
bahn dolrya chagi |
: |
half round kick (also "instep kick") |
|
nehryuh jeek gi |
: |
ax kick; literally "downward foot strike" |
|
hwe jun chagi |
: |
swing kick |
|
mil a chagi |
: |
pushing kick (also "mil gi chagi") |
|
de kum chi yup cha ki |
|
heel down hook kick |
|
de kum chi due cha ki |
|
heel inside hook kick |
|
jok ki no pe cha ki |
|
round house kick |
|
du kum chi no pe cha dol re ki |
heel high hook kick |
|
|
de kum chi cha na re ki |
|
heel down kick |
|
bal mak ki |
|
cover kick |
|
mu rup cha ki |
|
knee kick |
|
sohgi |
: |
stance |
|
jah seh |
: |
posture (or stance) [used instead of "sohgi" in some styles] |
|
ahnjun sohgi |
: |
sitting stance |
|
ahp sohgi |
: |
front stance |
|
ahp koo bi sohgi |
: |
front bent knee stance (also just "ahp koo bi") |
|
dwi sohgi |
: |
back stance |
|
dwi koo bi sohgi |
: |
back bent knee stance (also just "dwi koo bi") |
|
beom sohgi |
: |
cat (or tiger) stance (also "goyang-i sohgi") |
|
kuht neun sohgi |
: |
walking stance |
|
juchoom sohgi |
: |
horseback riding stance ("kima sohgi" in some styles) |
|
mot sohgi |
: |
fighting stance |
|
kyorugi sohgi |
: |
sparring stance |
|
Joon bi sohgi |
: |
ready stance (also "pyeonhi sohgi") |
|
gibon sohgi |
: |
basic stance |
|
guande sohgi |
: |
middle stance |
|
naranhee sohgi |
: |
parallel stance |
|
niun ja sohgi |
: |
`L'-stance |
|
gojang sohgi |
: |
fixed (lower-back) stance |
|
sa sun sohgi |
: |
diagonal stance |
|
gyuttari sohgi |
: |
fixed balance (or bent knee) stance |
|
koh ah sohgi |
: |
crossed foot stance |
|
kyo cha sohgi |
: |
`X'-stance |
|
mo ah sohgi |
: |
close stance |
|
joong-rib sohgi |
: |
neutral stance |
|
dong yuk sohgi |
: |
dynamic stance |
|
cha yun sohgi |
: |
natural stance |
|
chagi sohgi |
: |
kicking stance |
|
hahktari sohgi |
: |
crane stance (also "ue bal sohgi") |
|
ju mok aup ja sae |
|
stance with fists in the front |
|
ju mok yup ja sae |
|
stance with fists to the side |
|
do son mo ah ren ja sae |
|
stance with raise hands |
|
han son oel ren ja sae |
|
stance with raise back hand |
|
do son oel yo boul ren ja sae |
|
stance with open hands |
|
pal jang han ja sae |
|
stance with fold arms |
|
so do aup han ja sae |
|
stance with knife hands |
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|
kyorugi |
: |
(free) sparring |
|
han bun kyorugi |
: |
one step sparring |
|
boo sang |
: |
injury |
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|
Sool |
: |
Technique |
|
Hyung |
: |
Form |
|
Beop |
: |
Method |
![]()
|
dobok |
|
uniform |
|
dhee |
|
belt |
|
ha'i |
|
training pants |
|
hogoo |
|
chest protector (also "bohogoo") |
|
sahn boho jang kap |
: |
protective gloves |
|
pahlmahk bohodae |
: |
forearm guard |
|
jung kang yi bohodae |
: |
shin guard |
|
nang shim bohodae |
: |
groin cup |
|
muh ree bohodae |
: |
protective head gear |
|
eep bohodae |
: |
mouth guard |
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|
ye |
: |
yes (also "ne") |
|
anio |
: |
no |
|
kahm sa hamnida |
: |
thank you |
|
komap sumnida |
: |
less formal form of "thank you" |
|
cheon maeneyo |
: |
you're welcome (literally "Don't mention it!") |
|
cheuk ka hamnida |
: |
congratulations! |
|
ahnyong hasimnika |
: |
How are you? (literally "Are you well?" or "Are you at peace?") |
|
ahnyong hasayo |
: |
less formal form of "How are you?" |
|
yoboseyo |
: |
hello (used on the phone or to get someone's attention; literally "Please look here!") |
|
ahnyonghee gasipsiyo |
: |
good-bye (to the person who is leaving); literally "Go in peace!" |
|
ahnyonghee gyesipsiyo |
: |
good-bye (to the person who is staying); literally "Stay in peace!" |
|
ahnyonghee gasayo |
: |
less formal form of "good-bye" (to the person who is leaving) |
|
ahnyonghee gyesayo |
: |
less formal form of "good-bye" (to the person who is staying) |
|
pangap seumnida |
: |
Pleased to meet you! |
|
toh poepkeseoyo |
: |
See you later! |
|
eoseo osayo |
: |
Welcome! |
|
choesong hamnida |
: |
I'm sorry |
|
mian hamnida |
: |
less formal form of "I'm sorry!" |
|
shillye hamnida |
: |
Excuse me! (asking forgiveness for an impolite act) |
|
kwaen chanayo |
: |
That's all right |
|
ahlge seoyo |
: |
I understand |
|
moreuge seoyo |
: |
I don't understand |
|
chaemi isseoyo |
: |
It is fun (or interesting)! |
|
dojang |
: |
place where one trains (house of discipline) |
|
gong-kyok |
: |
offense |
|
hosinsool |
: |
self-defense |
|
mukyum |
: |
meditation |
|
kihap |
: |
yell |
|
jung shin yuk |
: |
mental strength, or martial art spirit (also "moodo jung shin") |
|
jung shin dong il |
: |
concentration of the mind |
|
jung shin soo yang |
: |
development (training) of the mind |
|
jung do |
: |
the "right" way (correctness of action) |
|
sim shin dahn ryun |
: |
mind and body discipline |
|
chung myung kwon |
: |
development (training) of the body, mind, and spirit |
|
chi shik |
: |
knowledge of mind and thoughts |
|
heng dong |
: |
execution (action) of the body and its techniques |
|
pil seung |
: |
certain victory |
|
il sok pil sai |
: |
one strike must kill |
|
ho hyoop |
: |
breathing |
|
shim ho hyoop |
: |
breathing control (deep breathing) |
|
himm |
: |
force or power |
|
ki |
: |
life-energy |
|
dahnjun |
: |
the center of your "ki" |
|
bokboo |
: |
the stomach area where "ki" is generated. |
|
choong sim |
: |
center of gravity |
|
chojum |
: |
focus (focal point) of your energy |
|
jeung ga |
: |
increase (to strengthen or augment) |
|
kyuk pa |
: |
breaking (the art of breaking boards, bricks, and tiles) |
|
shibum |
: |
demonstration (or exhibition) |
|
pyugi |
: |
stretching |
|
ye jol |
: |
etiquette |
|
jon gyung |
: |
respect |
|
choong sung |
: |
loyalty (also "eui ri") |
|
jung jhik |
: |
honesty |
|
kahjok |
: |
family |
|
chung |
|
blue |
|
hong |
|
red |
|
hin |
|
white |
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The Korean language is classified as a Ural-Altaic language, a group which also includes Mongolian, Hungarian, and Finnish. The Korean character system, "han-gul", is completely different from and independent of Chinese and Japanese. 'Han-gul' was developed by a group of scholars under the patronage of King Sejong in 1443. It is composed of 10 vowels and 14 consonants, which are used to form numerous syllabic groupings. |
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